Friday, June 12, 2015

[Drama Recap] The Lover: Episode 10

The sketch comedy moves more even-handedly into hit-or-miss territory. Some of the jokes are funny and others are not so funny. That's a bit of a simplistic statement but then "The Lover" is a bit of a simplistic show, however much the voiceover tries to add pretension to the proceedings. I frequently get the impression that the production team comes up with the sketches before the voiceover, since it's rare for there to be a unifying theme. Or at least a normal theme. As far as I can tell the main obvious theme here is set decoration.

No seriously, look at the random props that are being used to hold together individual scenes. It's like the production team just tossed together a bunch of random stuff that was either in their homes or just floating around in their heads. It's hard to think of any other reason why one apartment features a plethora of beauty products, another a bunch of random figurines, as well as a sight gag that mainly just demonstrates how South Korean supermarkets sell lots of strawberry related food. There are some connecting plot points, but they only appear through two or three scenes. I thought the "Answer to 1997" bit was going to be a recurring premise for every household, but nope, just two of them.

Incidentally, Seol-eun and Hwan-jong don't actually show up this time. They've always been the couple with the least amount of screen time, but what exactly are Ha Eun-seol and/or Park Jong-hwan doing instead of showing up on set? I did like the opening sketch, and the mild callback to that premise. Essentially, people who have been in a relationship for a long time have the ability to communicate without words to some extent. This is something most of us have noticed at some point or another, but "The Lover" takes it to kind of a ridiculous extreme. Mostly I'm just impressed that Oh Jeong-se and Ryoo Hyeon-kyeong were able to properly time that scene at all, given that they had almost no cues. Do-si and Doo-ri are really the best couple overall here, which is kind of odd given they tend to be the ones most likely to roll up into petty fights. The pregnancy scare sketch was also relatively decent, although it remains a mystery to me why we're only just now getting around to it.

"The Lover" often comes off as a bit amateurish- not wholly a bad thing, because serious committed effort can take even a mediocre production a long way. Even so, the drama still isn't at its best.

 Review by William Schwartz

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